Até (demo, unreleased)

Demo version of unreleased track part of Claudio Lima’s 3rd album I’m producing. All sounds used in this track are processed samples from Claudio’s own voice.

Trouble (2015)

Theatre performance/installation by Shannon Yee, produced by TheatreofplucK “(…)  that creatively brings to life the voices of queer people who lived through the 60s, 70s, 80s and 90s in Northern Ireland. A host of the provinces best loved actors from stage and screen give voice to the actual testimony of LGBTQ people who navigated The Troubles to…

A blue bridge (2015)

  A Blue Bridge is a soundwalk based audio-visual piece for 16 channels. The piece presents readings of a particular urban space in the city of Belfast through an interactive performance that recreates a soundwalk, juxtaposing and superimposing layers of sound, light and memories. It proposes a semi-open concert situation, conducted by a performer that…

Up the Hill (2015)

  Up the Hill is a multichannel sound installation based on field recordings made at Cave Hill Country Park and created specifically for the Soundscape Park in Belfast (a small park, open to the public during weekdays, is meant to be a “permanent interactive sound installation” that hosts a great number of works scheduled from 9 to 5PM)….

Agridoce (2015)

  Short movie by Charles Mello based on a play written by Zen Salles. I worked on its sound design. The damaged toy piano at the end of the movie is an algorithmic distortion of “Daisy Bell (Bicycle Built for Two)”, song written in 1892 by Harry Dacre. https://syncultural.wordpress.com/agridoce/    

Tuesdays at Tescos (2014)

  “Tuesdays at Tescos tells the story of Pauline, a loving daughter, carer and trans woman in an astonishing and vulnerable site-specific production. Lyn Harris’ production was first performed at the MAC, Belfast in June 2014 before touring to Armagh, Cookstown and Strabane. ” Peter Quigley acted on the streets, while the audience, isolated by…

Come Across (2012-2013)

  Come Across is a soundwalk based performance. The work presents a listening focused preparation strategy that involves multiple simultaneous soundwalks, mapping, audio and video recording. Such preparation stage leads to a concert performance that re-enacts the soundwalks by drawing on map in an exercise of listening and reminiscing. The work was developed collectively by…

Lock 1 Memories (2013)

  Lock 1 memories is a GPS triggered soundwalk mobile application I’ve developed in 2013. It is available for Android and iOS platforms. It presents a semi-open interactive composition based on environmental sounds designed to share the author’s experience of place and trigger potential new insights on the listener about the Lagan Towpath area, around the…

The Trouble with Harry (2013)

“Based on the true story of Eugenia Falleni, who passed as a man in early 20th century Australia, Lachlan Philpott’s play picks apart the rules of gender and sexuality that punish any transgression in a time when even being able to identify oneself as ‘trans’ or ‘lesbian’ was a long way off for most people …

Sienkiewicz Pipes (2013)

Sienkiewicz Pipes is an environmental sound based immersive installation. The piece was inspired by a field recording made at Sienkiewicz Street  in the city of Poznan, Poland, in mid-2012. Sound and light pulses are controlled by the user in a small room equipped with a quadraphonic sound system. Sienkiewicz Pipes was presented twice. First at…

Zin

Zin is a digital instrument/interface I’ve developed between 2009 and 2011. It is Arduino based and its synthesizer is implemented in both Pure Data and Max/MSP. I had the opportunity to perform with Zin in a few occasions such as: (2011) FILE Festival – Sao Paulo/Brazil (2012) Sonorities Festival – Belfast/UK (2012) iscMME conference –…

No Chords Attached (2012)

Developed by Diogo Alvim, Eduardo Patricio, Pedro Rebelo and Rui Chaves, No Chords Attached “(…) is a site-specific piece that explores the physical, temporal and poetic strategies between two mobile remote performers and a pianist in a more conventional performance space (Chaves 2013, p. 35)”. It proposes a non-conventional performance situation combining soundwalk with instrumental…