6DoF (six-degrees-of-freedom) refers to the possibility of a rigid body (or a representational device of it) to move freely in three transitional and three rotational degrees. Designing sound for immersive VR 6DoF experiences is usually done by using mono or stereo sound artificially spatialised through software processing the seeks to replicate reverberation, diffusion and other acoustic behaviors….
Ambisonics and binaural audio for 360-degree and ‘tiny planet’ videos (2018)
Here we have 2 videos that share the same source material (audio and video recordings), but that had different post-processing workflows, resulting in: A 360-degree video with 1st order Ambisonics audio, and A ‘tiny planet’ video with binaural audio. (Actual videos bellow) I prepared the videos (concept, audio / video recording and editing) for ZYLIA…
Fat Ghost – web series (2018)
Fat Ghost,a delightful series about a ghost and his roommate.Created by Rich Camp, “a comedian located in New York City”. My role: sound design (dialogue editing, sound effects and mixing). And here’s the pilot:
Farol – film (2018)
Farol (‘Lighthouse’) is a 23 minute-long Brazilian short drama movie written and directed by Arturo Saboia. Selected for Cannes short film catalog (2018) Synopsis: In a distant lighthouse, a couple in crisis can no longer find common ground. Each character has their own perception of the situation. Credits: Director of photography Roman LECHAPELIER Music Eduardo…
Doris – film (2017-2018)
Horror movie by Hayder Hasen. “The film is full of fun and quirky characters with lots of surprises along the way”. My roles: dialogue editing, sound effects, Foley, original soundtrack and mixing. More info on the website here. IMDb link here. Here’s the trailer (the trailer’s sound design was not done by me): © 2017…
Fupa – film (2017)
Short documentary (9-minute long). Cody, a struggling young artist, tries to find solutions to cure her feisty little rat’s ever growing tumor while she considers what it could mean to lose her. Gustavo Martin – Director, producer and editor. Eduardo Patricio – Dialogue editing, sound effects and mixing. Review from UK Film Review website Premiere…
Rosa dos Ventos – Music album (2013-2017)
Claudio Lima’s 3rd album, Rosa dos Ventos, is an interesting project that brings together regional Maranhao (Brazilian state), pop, classical and electronic music. It’s a song album, with several music personae glued up by Claudio’s beautiful and powerful voice. In 2013, I started working on the album’s initial arrangements, defining its aesthetic direction. I worked on…
Auê series (2016-2017)
Auê* is a series of 27 2-minute long micro-documentaries. My role: sound mixer. The movies show the diversity of children’s plays in several public schools in Curitiba-PR (Brazil). The kids host the episodes themselves, demonstrating and talking about their activities. The screenplays are based on research done by the directors Nélio Spréa (from Parabolé) and Otavio Zucon….
PhD thesis – Spatial referentiality and openness: a portfolio of environmental based compositions (2016)
This is the result of my practice based research at Queen’s University Belfast (more specifically, at SARC), supervised by Dr. Pedro Rebelo and Dr. Paul Stapleton (2nd supervisor). Here, you can find the full portfolio commentary in PDF, related posts and video documentation for each piece. Abstract Through a creative portfolio and an analytical and critical commentary, this…
Até (demo, unreleased)
Demo version of unreleased track part of Claudio Lima’s 3rd album I’m producing. All sounds used in this track are processed samples from Claudio’s own voice.
Trouble (2015)
Theatre performance/installation by Shannon Yee, produced by TheatreofplucK “(…) that creatively brings to life the voices of queer people who lived through the 60s, 70s, 80s and 90s in Northern Ireland. A host of the provinces best loved actors from stage and screen give voice to the actual testimony of LGBTQ people who navigated The Troubles to…
A blue bridge (2015)
A Blue Bridge is a soundwalk based audio-visual piece for 16 channels. The piece presents readings of a particular urban space in the city of Belfast through an interactive performance that recreates a soundwalk, juxtaposing and superimposing layers of sound, light and memories. It proposes a semi-open concert situation, conducted by a performer that…
