papers etc.

Thesis

  • Spatial referentiality and openness: a portfolio of environmental based compositions, Queen’s University Belfast (UK), June 2016.
  • Instrumentos musicais digitais: uma metáfora composicional (1) , Universidade Federal do Paraná (Brazil), March 2011.

(1) Digital music instruments: a compositional metaphor.

Other publications

  • Recording and mixing of classical music using non-adjacent spherical microphone arrays and audio source separation algorithms; co-authors: Mateusz Skrok, Tomasz Zernicki. Conference: 147th AES Convention. New York (USA), 2019.
  • Toward six degrees of freedom audio recording and playback using multiple ambisonics sound fields; co-authors: Andrzej Ruminski, Adam Kuklasinski, Lukasz Januszkiewicz, Tomasz Zernicki, Conference: 146th AES Audio Convention. Dublin (Ireland), 2019.
  • Thoughts on using Max/MSP external objects in the MPEG-I Audio Evaluation Platform; co-author: Lukasz Januszkiewicz. M50804 MPEG meeting ISO/IEC JTC1/SC29/WG11 MPEG2019. Geneva (Switzerland), 2019.
  • MPEG Encoder Input Format for multiple HOA 6DoF live recorded scenes; co-authors: Lukasz Januszkiewicz, Andrzej Rumiński, Tomasz Zernicki, M49202 MPEG meeting ISO/IEC JTC1/SC29/WG11 MPEG2019. Gothenburg (Sweden), 2019.
  • Report on recording of test material for 6DoF audio; co-authors: Lukasz Januszkiewicz, Adam Kuklasiński, Andrzej Rumiński, Tomasz Zernicki. M46067 MPEG meeting ISO/IEC JTC1/SC29/WG11 MPEG2019. Marrakech (Morocco), 2019.
  • Criação e questões dos instrumentos musicais digitais (2) . Semeiosis – transdisciplinary journal of semiotics (semeiosis.com.br). 2014.
  • M.M.S. – Um instrumento musical digital para performance ao vivo e geração de material eletroacústico (3) . Conference: XX ANPPOM Conference. Florianópolis (Brazil), 2010.
  • Sistemas Musicais interativos: possibilidades de criação (4) . Conference: XIX Congresso da ANPPOM. Curitiba (Brazil), 2009.
  • Poéticas Musicais Abertas e Sistemas Musicais Interativos (5) . Symposium: III Simpósio Nacional de Tecnologia e Sociedade, Curitiba (Brazil), 2009.
  • Book chapter. Valorizando a cultura Guarani da tribo Araçá’i (6) , Piraquara. In: Alberto Ferreira da Rocha Junior. (Org.). Cultura e extensão universitária: a produção do conhecimento comprometida com o desenvolvimento social. São João Del-Rei: Malta Editores Ltda. Co-authors: Rocha, F. ; Lessnau, R. ; Rohn, E. N. ; Graca, R. S. F. S.; Manea, G. ; Debiasi, C. A. ; Sugano, N. A. ; Chico, V. H. A. Curitiba (Brazil), 2008.

(2) Design remarks on digital music instruments.
(3) M.M.S. – A digital music instrument for live performance and electroacoustic sound design.
(4) Interactive music systems: creative possibilities.
(5) Open music poetics and interactive music systems.
(6) Paying tribute to the culture of Aracai tribe.

Workshops, panels etc.

  • (Upcoming) Workshop. 148th AES Convention. ” Spatial audio for immersive cinema: Ambisonics encoding, spatialization and mixing”. Vienna (Austria), May 2020.
  • Workshop. New York University – Steinhardt Music Technology. “The use of spatial sound in 360 video production and other interactive media”. New York (USA), 2019.
  • Workshop. 147th AES Convention. “Six-degrees-of-freedom sound capture and playback using multiple high order Ambisonics microphones”. New York (USA), 2019.
  • Panel presentation. 147th AES Convention. “Capturing reality with the use of spatial sound and high order Ambisonics”. New York (USA), 2019.
  • Online workshop. International Music Education Summit. “Usage of 3D Sound recording in Music Education”. 2019.
  • Workshop. “Six-degrees-of-freedom (6DoF) audio capture and playback using multiple Higher Order Ambisonics (HOA) microphones” International Conference on immersive and interactive audio. York (UK), 2019.
  • Panel presentation. 146th AES Convention. “Video Creations for Music, Virtual Reality, Six Degrees of Freedom (6DoF) VR, and 3D Productions–Case Studies”. Dublin (Ireland), 2019.
  • Workshop. AES / NTAV 2018 (XVII Sympozjum Nowości w Technice Audio i Wideo). “3D and 360 music production using ambisonics microphone arrays”. Poznan (Poland), 2018.
  • Workshop. “Come Across”. Co-authors: Rui Chaves and Diogo Alvim. Lisbon (Portugal), 2013.
  • Poster. The Global Composition Conference on Sound, Media, and Environment. “WeWalkTogether”. Co-authors: Rui Chaves and Diogo Alvim. Darmstadt (Germany), 2012.
  • Workshop. CEAD – Universidade Federal de Juiz de Fora. Pure Data Basics. Juiz de Fora (Brazil), 2010.
  • Workshop. Serviço Social do Comercio – SESC. Radio and podcast production. Campo Largo (Brazil) 2010.

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