Toward live recorded 6DoF audio – Unity and ZM-1 microphone arrays (2018)

6DoF (six-degrees-of-freedom) refers to the possibility of a rigid body (or a representational device of it) to move freely in three transitional and three rotational degrees. Designing sound for immersive VR 6DoF experiences is usually done by using mono or stereo sound artificially spatialised through software processing the seeks to replicate reverberation, diffusion and other acoustic behaviors….

Ambisonics and binaural audio for 360-degree and ‘tiny planet’ videos (2018)

Here we have 2 videos that share the same source material (audio and video recordings), but that had different post-processing workflows, resulting in: A 360-degree video with 1st order Ambisonics audio, and A ‘tiny planet’ video with binaural audio. (Actual videos bellow) I prepared the videos (concept, audio / video recording and editing) for ZYLIA…

Doris – film (2017-2018)

Horror movie by Hayder Hasen. “The film is full of fun and quirky characters with lots of surprises along the way”. My roles: dialogue editing, sound effects, Foley, original soundtrack and mixing. More info on the website here. IMDb link here. Here’s the trailer (the trailer’s sound design was not done by me): © 2017…

Fupa – film (2017)

Short documentary (9-minute long). Cody, a struggling young artist, tries to find solutions to cure her feisty little rat’s ever growing tumor while she considers what it could mean to lose her. Gustavo Martin – Director, producer and editor. Eduardo Patricio – Dialogue editing, sound effects and mixing. Review from UK Film Review website Premiere…

PhD thesis – Spatial referentiality and openness: a portfolio of environmental based compositions (2016)

This is the result of my practice based research at Queen’s University Belfast (more specifically, at SARC), supervised by Dr. Pedro Rebelo and Dr. Paul Stapleton (2nd supervisor). Here, you can find the full portfolio commentary in PDF, related posts and video documentation for each piece. Abstract Through a creative portfolio and an analytical and critical commentary, this…

A blue bridge (2015)

  A Blue Bridge is a soundwalk based audio-visual piece for 16 channels. The piece presents readings of a particular urban space in the city of Belfast through an interactive performance that recreates a soundwalk, juxtaposing and superimposing layers of sound, light and memories. It proposes a semi-open concert situation, conducted by a performer that…

Agridoce (2015)

  Short movie by Charles Mello based on a play written by Zen Salles. I worked on its sound design. The damaged toy piano at the end of the movie is an algorithmic distortion of “Daisy Bell (Bicycle Built for Two)”, song written in 1892 by Harry Dacre. https://syncultural.wordpress.com/agridoce/    

Come Across (2012-2013)

  Come Across is a soundwalk based performance. The work presents a listening focused preparation strategy that involves multiple simultaneous soundwalks, mapping, audio and video recording. Such preparation stage leads to a concert performance that re-enacts the soundwalks by drawing on map in an exercise of listening and reminiscing. The work was developed collectively by…

Sienkiewicz Pipes (2013)

Sienkiewicz Pipes is an environmental sound based immersive installation. The piece was inspired by a field recording made on Sienkiewicz Street  in the city of Poznan, Poland, in mid-2012. Sound and light pulses are controlled by the user in a small room equipped with a quadraphonic sound system. Sienkiewicz Pipes was presented twice. First at…

No Chords Attached (2012)

Developed by Diogo Alvim, Eduardo Patricio, Pedro Rebelo and Rui Chaves, No Chords Attached “(…) is a site-specific piece that explores the physical, temporal and poetic strategies between two mobile remote performers and a pianist in a more conventional performance space (Chaves 2013, p. 35)”. It proposes a non-conventional performance situation combining soundwalk and instrumental…