Category: sound mixing

Nós de Nós Dois – Short documentary (2025)

Movie by Taciano Brito and André Forecchi.

Synopsis: While traveling across the continent [South America], André and Davi discover that their fraternal relationship is also a reflection of their own existential issues. The film asks: how can we untie the knots of a conflict that arose from the same gestation? How can we find our own identity when we are born with two?

Credits

  • Screenplay: Arturo Saboia, Taciano Brito and Henrique Fontes
  • Executive Production: André Forecchi, Taciano Brito and Carolina Jordão
  • Production: Katufilm and Studio A
  • Co-production: Clímax Filmes
  • Cinematography: Fábio Barros and Taciano Brito
  • Editing: Arturo Saboia
  • Music and Sound Design: Eduardo Patrício

Daydreaming in Hel – Ambisonics work (2024)

Ambisonics electroacoustic piece presented during Sonorities Festival 2024 at SARC (Queen’s University Belfast).

Programme notes | Daydreaming in Hel is a field-recording based immersive piece that mirrors the dynamics of a mind that cannot settle. Racing thoughts, associations and inner talk, constantly compete with the need to relax, stirring up brain fog and agitation. It is a dance of known and unknown elements competing for attention.
The environmental sounds that structure the work were captured in the peninsular town of Hel (Poland),
by the Baltic Sea. The piece spatial sound is delivered in 3rd order Ambisonics format

Method, system and computer program product for recording and interpolation of ambisonics sound fields – US patent (2023)

This patent refers to the joint effort at Zylia to develop a fully functional recording and playback system for live-recorded 6-degrees-of-freedom audio enabled by simultaneous Ambisonics sound fields.

Such a system could be used to enrich powerful spatial audio experiences in the future.

My contribution was mainly to develop and implement the interpolation strategy itself used during the playback stage.

The Rest of Your Life – Movie (2022)

Movie by Michael Pomeroy

Available on Apple TV – Here

My role: Sound post / sound design

The Rest of Your Life “is a coming-of-age story about Brian (Michael Pomeroy), a post-grad office drone in Ohio whose girlfriend Amanda (Brittany Brave) moves away for medical school, forcing him to confront and shed the bonds of his family and suburban society’s expectations, with the help of his co-worker George (Matt Hardy). “

IMDB page

Endless VR – Immersive movie by Wojciech Puś (2022)

“‘Endless‘: feature film & cinematic performances. The threshold between reality and hallucination: a convulsive beauty & uncanniness of metamorphosis.”

My roles: spatial sound capture / re-recording mixer (Ambisonics)


E N D L E S S (VR) – Credits

Cast: Szymon Czacki , Magdalena Wawrzyńczak , Pierre Emö , Lina Bembe , Anton Tsyhulskyi , Jorge Benavides , Pat Dudek , Edmund Krempiński, Jerzy Tabor

Director/cinematography/screenplay: Wojciech Puś

Sound design and music: Thomas Köner

Additional music: Wojciech Puś

Animation/VFX: Jerzy Tabor

Camera assistant: Tomek Lechicki

Gaffer: Michał Bratkiewicz

Camera assistant (VR): Marek Titow

Mixer / re-recording mixer (Ambisonics): Eduardo Patricio

Production (VR): Krzysztof Pijarski , Krzysztof Franek / Vnlab Pwsftvit

Development VR: Pola Borkiewicz , Jacek Nagłowski

POV: Points of View – VR Sci-fi movie (2021)

A Live Action Sci-fi Virtual Reality Series & Immersive Experience. A hyper-digital sci-fi virtual reality series immersed in a near future Los Angeles where personal data is the new currency and weaponized A.I. Police drones enforce the law. POV: Points Of View is a Sci-Fi VR Series & Installation developed to experience the systemic threat of bias in A.I, Artificial Intelligence. AI’s are machines that learn from US.

(Official website)

My role: sound design and spatial mixing (Ambisonics).

IMDB

Premiere on Tribeca Festival: https://tribecafilm.com/films/pov-points-of-view-2021

Custom Reaper/ TouchOSC – DAW controller template v. 0.61 (2021)

——– UPDATE (Dec 2021) : Current version HERE ———

🎄🖖🏽 Happy holidays, everyone! 🙂
Here’s my custom Reaper/ TouchOSC – DAW controller template (16:10 aspect ratio)
Download link: (template, Reaper OSC config, and PDF manual)

IMPORTANT: This template was made before the release of the new ultra powerful TouchOSC, so it was made for the version now know as TouchOSC mk1

This TouchOSC template was created to accommodate my own needs when working with REAPER in different workflows (editing, mixing and designing).

It’s not meant to replace keyboard and mouse actions, but to complement their functions and make prolonged editing and mixing work less tiring. It’s somewhat chaotic (I’m no graphics designer), but useful.

So, I’m sharing it here, hoping it can help you, too! =)

Buy me a coffee? ☕🤎

  • Bi-directional communication
  • Automatic naming of tracks
  • VU metering per track
  • Track, mixer and “MIDI controller” layouts
  • Track, transport, general, view, and item controls

IN PROTEST – VR film series (2020)

IN PROTEST is a project from GRX Immersive Labs and is being produced by a core team of Black immersive storytellers and creative professionals led by Alton Glass and Adam Davis-McGee.

My roles: sound design; spatial / Ambisonics mix.

The first 7 episodes are already available on Oculus TV: “First Response | IN PROTEST: Minneapolis & St. Paul”

Behind the scenes interview: https://www.oculus.com/blog/behind-the-scenes-of-in-protest-with-alton-glass-and-adam-davis-mcgee/

We Walk Together – soundwalk (2020)

5 soundwalks, 5 cities, spatialized in 3rd order Ambisonics.

Authors: Rui Chaves, Eduardo Patrício, Laura Romero, Lílian Nakao Nakahodo, Luz Camara.
Score: Rui Chaves
Mixing, editing and spatialization: Eduardo Patrício
25’00’’ | Mixed-media

Published on Vortex Music Journal

http://periodicos.unespar.edu.br/index.php/vortex/article/view/4521

We walk together (2020) is thought as a field-recording score that asks would-be performers to think sonically about a place, to produce sound within that place, but also to reflect on the changes caused by the pandemic both at an environmental and subjective level. This collaborative endeavor is a continuation of my exploratory work in novel ways of curating sound artwork outside institutional frameworks. The resulting work, using a visual reference, is a multi-layered and multi-linguistic ‘sequence shot’: an audio piece that straddles the line between fiction, documentary and musical composition.

The sonic essay is a collaboration between a series of artists located in different parts of the globe: Rui Chaves (Loulé, Portugal, 25/06/2020), Eduardo Patrício (Koziegłowy, Poland, 17/06/2020), Laura Romero (Valencia, Spain, 06/06/2020), Lilian Nakao Nakahodo (Curitiba, Brazil, 05/07/2020), Luz da Camara (Evoramonte, Portugal, 19/06/2020).

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