Article: musical digital instruments – Portuguese only (2014)

  Article published on Semiosis (transdiciplinary journal of semiotics), addressing a particular design approach for digital instruments for live electronic improvisation. It’s based on my master’s research at UFPR, Brazil. Article (Portuguese only)

Come Across (2012-2013)

  Come Across is a soundwalk based performance. The work presents a listening focused preparation strategy that involves multiple simultaneous soundwalks, mapping, audio and video recording. Such preparation stage leads to a concert performance that re-enacts the soundwalks by drawing on map in an exercise of listening and reminiscing. The work was developed collectively by…

Lock 1 Memories (2013)

  Lock 1 memories is a GPS triggered soundwalk mobile application I’ve developed in 2013. It is available for Android and iOS platforms. It presents a semi-open interactive composition based on environmental sounds designed to share the author’s experience of place and trigger potential new insights on the listener about the Lagan Towpath area, around the…

The Trouble with Harry (2013)

“Based on the true story of Eugenia Falleni, who passed as a man in early 20th century Australia, Lachlan Philpott’s play picks apart the rules of gender and sexuality that punish any transgression in a time when even being able to identify oneself as ‘trans’ or ‘lesbian’ was a long way off for most people …

Sienkiewicz Pipes (2013)

Sienkiewicz Pipes is an environmental sound based immersive installation. The piece was inspired by a field recording made on Sienkiewicz Street  in the city of Poznan, Poland, in mid-2012. Sound and light pulses are controlled by the user in a small room equipped with a quadraphonic sound system. Sienkiewicz Pipes was presented twice. First at…

Zin (2009-2011)

Zin is a digital instrument/interface I’ve developed between 2009 and 2011. It is Arduino based and its synthesizer is implemented in both Pure Data and Max/MSP. I had the opportunity to perform with Zin in a few occasions such as: (2011) FILE Festival – Sao Paulo/Brazil (2012) Sonorities Festival – Belfast/UK (2012) iscMME conference –…

No Chords Attached (2012)

Developed by Diogo Alvim, Eduardo Patricio, Pedro Rebelo and Rui Chaves, No Chords Attached “(…) is a site-specific piece that explores the physical, temporal and poetic strategies between two mobile remote performers and a pianist in a more conventional performance space (Chaves 2013, p. 35)”. It proposes a non-conventional performance situation combining soundwalk and instrumental…

Summer Snail (2011)

Summer Snail is a game-inspired network piece by Felipe Hickmann that brings together two remote musician groups and two remote audiences. My role: design of a dynamic graphic score system split in 3 applications, one for each group and a third one for the conductor/referee. The piece is structured as a game with the aid…

Afstand

Jazz improv (flirting with electronics)  trio (2009-2011): Carlos Ramos: sax, marine trumpet, flutes / Pepê Barcellos: guitar / Eduardo Patricio: drums and laptop. Wayne Shorter’s Juju. performed at Wonka bar (Curitiba / Brazil). Instruments + algorithms playing Pepe’s Dominostinato: ostinati (repetitive patterns) connected and sequenced by similarity (like in dominoes). Performance at XXI ANPPOM Conference, Uberlândia-MG /…

Instalações-Rituais (2010)

Documentary about Brazilian ‘blessers’ from the State of Parana (Brazil) and their shrines. The shrines are read as contemporary installations that reveal the ‘blessers’ subjectivities, symbolic attributions and ritualistic functions. Concept, direction and screenplay: Geslline Giovana Braga/ Assistant director and sound recording: Otavio Zucon/ Production, camera: Geslline Giovana Braga and Otavio Zucon/ Editing: Diogo Marques/ Original…