Category: music production

Nós de Nós Dois – Short documentary (2025)

Movie by Taciano Brito and André Forecchi.

Synopsis: While traveling across the continent [South America], André and Davi discover that their fraternal relationship is also a reflection of their own existential issues. The film asks: how can we untie the knots of a conflict that arose from the same gestation? How can we find our own identity when we are born with two?

Credits

  • Screenplay: Arturo Saboia, Taciano Brito and Henrique Fontes
  • Executive Production: André Forecchi, Taciano Brito and Carolina Jordão
  • Production: Katufilm and Studio A
  • Co-production: Clímax Filmes
  • Cinematography: Fábio Barros and Taciano Brito
  • Editing: Arturo Saboia
  • Music and Sound Design: Eduardo Patrício

Custom Reaper/ TouchOSC – DAW controller template v. 0.72 (late 2021)

This is an update* to the TouchOSC template I created to fit my own needs when working with REAPER (my DAW of choice). It’s not meant to replace keyboard and mouse actions, but to complement their functions and make prolonged editing and mixing work less tiring.


Download link (template, Reaper OSC config, and PDF manual)

 *This template was made with the new ultra powerful TouchOSC

It was created to accommodate my own needs when working with REAPER in different workflows (editing, mixing and sound designing).

It’s somewhat chaotic (I’m no graphics designer), but useful. So, I’m sharing it here, hoping it can help you, too! =)

Buy me a coffee? ☕🤎

  • Bi-directional communication
  • Automatic naming of tracks
  • VU metering per track
  • Track, mixer and “MIDI controller” layouts
  • Track, transport, general, view, and item controls

AES Fall Show 2021 (workshop on Ambisonics and virtual microphones)

Another basic Ambisonics-related workshop to help people get into spatial sound.

All music examples were recorded at the Music Academy of Bydgoszcz. Thank you to everyone who helped and the students that volunteered.

https://sched.co/mKTp

Workshop description “In this workshop we will focus on multi-microphone setups for music production, using single Ambisonics microphone arrays. Ambisonics microphones are often used to record full spherical sound fields for different purposes, including virtual reality. But an especially interesting use of their spatial audio technology is the possibility to create beamformings (aka, virtual microphones) after the recording has already been done. To comment on this, this workshop will address Ambisonics recording, directionality/polar patterns, virtual microphone setup, and mixing. All this will be illustrated by practical audio/in-DAW examples of spatial recordings done in studio of several musical instruments. By the end of this workshop, you will understand the process from start to finish, being able to successfully use Ambisonics microphones as additional tools for music production. “

Custom Reaper/ TouchOSC – DAW controller template v. 0.61 (2021)

——– UPDATE (Dec 2021) : Current version HERE ———

🎄🖖🏽 Happy holidays, everyone! 🙂
Here’s my custom Reaper/ TouchOSC – DAW controller template (16:10 aspect ratio)
Download link: (template, Reaper OSC config, and PDF manual)

IMPORTANT: This template was made before the release of the new ultra powerful TouchOSC, so it was made for the version now know as TouchOSC mk1

This TouchOSC template was created to accommodate my own needs when working with REAPER in different workflows (editing, mixing and designing).

It’s not meant to replace keyboard and mouse actions, but to complement their functions and make prolonged editing and mixing work less tiring. It’s somewhat chaotic (I’m no graphics designer), but useful.

So, I’m sharing it here, hoping it can help you, too! =)

Buy me a coffee? ☕🤎

  • Bi-directional communication
  • Automatic naming of tracks
  • VU metering per track
  • Track, mixer and “MIDI controller” layouts
  • Track, transport, general, view, and item controls

Rosa dos Ventos – Music album (2013-2017)

Claudio Lima’s 3rd album, Rosa dos Ventos, is an interesting project that brings together regional Maranhao (Brazilian state), pop, classical and electronic music. It’s a song album, with several music personae glued up by Claudio’s beautiful and powerful voice.

A long project, following the singer’s process of composition and repertoire selection.
In 2013, I started working on the album’s initial arrangements, defining its aesthetic direction. I worked on it for almost 4 years as arranger and producer.
In May 2017, I led a group of musicians for the album premiere concert, playing MIDI guitar, drums, pandeiro and synths.

 

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Até (demo, unreleased)

Demo version of unreleased track part of Claudio Lima’s 3rd album I’m producing.

All sounds used in this track are processed samples from Claudio’s own voice.

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Lágrima (2010)

 

Electronic arrangement / production for the song ‘Lágrima’ (‘tear’ in Portuguese) by the Brazilian duo Estrela Leminski & Téo Ruiz in 2010. It was released as an online bonus track for their album “são sons”.

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