No Chords Attached (2012)

Developed by Diogo Alvim, Eduardo Patricio, Pedro Rebelo and Rui Chaves, No Chords Attached “(…) is a site-specific piece that explores the physical, temporal and poetic strategies between two mobile remote performers and a pianist in a more conventional performance space (Chaves 2013, p. 35)”. It proposes a non-conventional performance situation combining soundwalk and instrumental music, making use of a feedback system that enables sonic relocations and superimpositions between contrasting physical spaces.

http://www.socasites.qub.ac.uk/unlikelyplaces/?page_id=21

 

Full concert video:

https://youtu.be/jMjsIwGKCzQ

Summer Snail (2011)

Summer Snail is a game-inspired network piece by Felipe Hickmann that brings together two remote musician groups and two remote audiences.

My role: design of a dynamic graphic score system split in 3 applications, one for each group and a third one for the conductor/referee.

The piece is structured as a game with the aid of a dynamic graphic score (the illustration of a mountain). Both groups compete against each other to try and get to the top of the mountain.

More details here.

This video shows one group of musicians in Belfast (UK) at SARC (Sonic Arts Research Centre) playing with a remote group located at University of Sao Paulo (Sao Paulo/Brazil).

Afstand

Jazz improv (flirting with electronics)  trio (2009-2011):

Carlos Ramos: sax, marine trumpet, flutes / Pepê Barcellos: guitar / Eduardo Patricio: drums and laptop.

Wayne Shorter’s Juju. performed at Wonka bar (Curitiba / Brazil).

Instruments + algorithms playing Pepe’s Dominostinato: ostinati (repetitive patterns) connected and sequenced by similarity (like in dominoes).

Performance at XXI ANPPOM Conference, Uberlândia-MG / Brazil (August 2011)

Instalações-Rituais (2010)

Documentary about Brazilian ‘blessers’ from the State of Parana (Brazil) and their shrines. The shrines are read as contemporary installations that reveal the ‘blessers’ subjectivities, symbolic attributions and ritualistic functions.

Concept, direction and screenplay: Geslline Giovana Braga/ Assistant director and sound recording: Otavio Zucon/ Production, camera: Geslline Giovana Braga and Otavio Zucon/ Editing: Diogo Marques/ Original sound track and audio editing: Eduardo Patrício and Discotecário Bob/ Graphic production: Brenda Maria

Discos de Cobre / Copper discs (2009 – 2010)

Live performance using M.M.S., a custom instrument I’ve designed using Pure Data and a Logitech attack3 joystick as control interface.

All sounds produced from live processing and manipulation of 5 sound samples (metal discs single hits).
Performed at FAT 2.0 (SESC Horto, Campo Grande, Brazil). 28 september, 2010.

There’s not much to see in the video… that’s the GUI projected behind me.
(stereo recording, directly to hard disk, no editing)

Lágrima (2010)

 

Electronic arrangement / production for the song ‘Lágrima’ (‘tear’ in Portuguese) by the Brazilian duo Estrela Leminski & Téo Ruiz in 2010. It was released as an online bonus track for their album “são sons”.

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